DVD Lecture – “A Spanish Masterpiece Revisited 301 Years Later” – Velázquez/Picasso

23rd June 2012 – 23 de junio 2012
15:30 p.m. Auditorio | Auditorium –
(Free, but please reserve a seat) – (Gratuito. Reservar plaza)

Conferencia | Lecture – in English | en inglés |


“A Spanish Masterpiece Revisited 301 Years Later”

A DVD of a lecture given by the painter Eva Bosch at the National Gallery in London in 2009, to coincide with the exhibition Picasso: Challenging the Past. Between August and December 1957, Picasso produced a series of 58 canvases inspired by Diego Velázquez’s painting Las Meninas completed in 1656. Bosch describes and interprets Picasso’s working processes, showing how he created his own version of the three-hundred year old masterpiece. After the projection there will be a Q/A with the artist.

“Reencuentro con una obra maestra española 301 años más tarde”

Proyección del DVD de la charla que dio la pintora Eva Bosch en el National Gallery de Londres en 2009 coincidiendo con la exposición titulada “Picasso: “Challenging the Past”. Entre agosto y diciembre 1957 Picasso completó una serie de 58 lienzos inspirados en “Las Meninas”, tela realizada por Diego Velázquez en 1656. Bosch describe e interpreta el proceso de la serie mostrando como Picasso creó su propia versión de la obra maestra ejecutada tres siglos antes. Después de la proyección habrá una sesión de preguntas y respuestas con la artista.



May 2007 – Research Retreat at Ngayene, Senegal.
The Sine Ngayene Archaeological Project aims to investigate the structure and dynamics of the cultural landscape along the Petit-Bao Bolong Drainage in South Central Senegal. The site contains Megalithic stones of various sizes spread on large cemeteries dating from the late second millennium BC to the mid-second millennium AD. The archaeological research conducted by Prof. Holl, an archaeologist born in Cameroon, and current curator of the University of Michigan’s archaeological museum is presenting new theories on how the ancient Senegalese perform rituals and buried their dead. The evidence Prof. Holl collected from the monuments (skeletal and metal data) indicates not a primary, but a secondary burial culture. His research aims at casting further light on a culture where prestigious families re-buried their dead in a manner that resembles the practice of erecting halls of fame. Together with his colleague from the Sorbonne, Dr Hamady Bocoum, director of Senegal’s Cultural Heritage and National Patrimony, they are working to preserve and investigate further the Sine Ngayene site.
Professor Holl invited me to join his excavation. I witnessed and took photographs of the digging and the careful removal of ancient ceramics. Skeletons emerged from the dry earth which were carefully cleaned while pages of data were written down. I gathered much visual information which was expanded during lively debates with the professor and his students during the long dark nights – there was no electricity at the site. The megaliths, the extraordinary dryness of the land, the heat, the villagers’ way of life and the 8-hour jeep-journey across Senegal provided me with a portfolio of images that are key references from which I am working at present along with the material obtained in Catalhöyük.

At present Dr. Holl is Professor of Prehistory at the University of Paris-Ouest Nanterre La Defense.

National Gallery, London – 27/04/2009 A Spanish Masterpiece Revisited 301 Years later

“A Spanish masterpiece revisited 301 years later”- Las Meninas

Las Meninas 1916

Performance : Saint Sebastien (Espagne) : Teatro Eugenia Victoria – 21-08-1916

Chorégraphie de Léonide Massine ; argument de Léonide Massine ; musique de Gabriel Fauré; décor de Carlo Sokrate ; costumes de José-Maria Sert ; régie de Serge Grigoriev ; avec: Lydia Sokolova, Léonide Massine, Léon Woizikovski ; chef d’orchestre : Ernest Ansermet

Création. Notice rédigée d’après “Diaghilev, les Ballets russes”, Bibliothèque nationale, 1979. Le ballet a été repris à Bruxelles, au Palais de Beaux arts en mai 1918 et à Londres au His Majesty’s Theatre le 2 juillet 1928